Who Wrote the Most Art Songs of the Romantic Composers?
x Romantic Composers You lot Need to Know
Published by StringOvation Team on February 28, 2019
L ists are problematic things. Many people reading this list will exist incensed by who was left off it. This isn't the total listing of every Romantic composer worth knowing. You exercise, however, need to know the ones shared hither if you want to capeesh the Romantic Era. Earlier getting into the official list, let's talk nigh two composers who bookend the Romantic Era. Beethoven (1770-1827) bridges the Classical and Romantic eras. While many works from Beethoven's early flow were done in classical forms, he was an originator of the Romantic musical language that sought to employ music as a more than personal emotional expression. Who can hear Beethoven's Ninth Symphony and non exist swept up in its energy and passion? At the end of the Romantic Era, we see composers who are starting to reimagine and play with Classical and Romantic formulas, bringing on the Modernistic Era. Gustav Mahler (1860 - 1911) is a perfect instance of this transition. His Symphony No. 2 (The Resurrection), as well an intensely emotional mixed symphonic and chorale piece, is full of harsh tones that were not well received in its early years. Niccolò Paganini (1782 – 1840), as a composer, is most famous for his 24 Caprices, which are more technical tours de force than Romantic compositions. For that, check out his Violin Concerto No. ii in B Minor, Op. 7 and Violin Concerto No. i in D Major, Op. 6. Nonetheless, Paganini stands out primarily for his "rock star" performances. The Romantic Period saw the popularity of classical music attain broader audiences who were drawn by virtuoso performers. Learn more about Paganini here. Hector Berlioz (1803 – 1869) is one of the era's most influential composers and music critics. Not a typical combination. He wrote large scale works, many based on dramatic works from literature. All the same, his most famous limerick, his Symphonie fantastique, was his personal rumination on unrequited dearest. Fanny Mendelssohn (1805 – 1847), like many famous Romantic composers, composed primarily for the piano. However, her String Quartet in E-Flat Major is ane of her finest works. Indeed, it (and Fanny) inspired the formation of The Fanny Mendelssohn Quartet, founded in 1989 to promote women composers and musicians. Here's her Fantasia in Yard Minor, a duet for pianoforte and cello. Fryderyk Chopin (1810 - 1849) wanted to exercise for piano what Paganini did for the violin. All of Chopin's compositions included the piano and most were piano solos, like his rippling Waltz No. 2 in C-precipitous small-scale. Robert Schumann (1810 - 1856) wrote nigh the philosophy and aesthetics of music, while composing primarily for piano. However, he also equanimous music for piano with string ensembles, like his Pianoforte Quintet in E-flat major, Op. 44. Franz Liszt (1811 – 1886) popularized the symphonic poem. His Dante Symphony is two symphonic poems: Inferno and Purgatory, which translated Dante's famous work into music. Johannes Brahms (1833-1897), one of the Three B'southward (with Beethoven and Bach) is the towering figure of Romantic Period limerick. Some of his best works include his Symphony No. ane in C Small-scale, Op. 68, Symphony No. 4 in E Small, Op. 98, and Concerto for violin in D major Op. 77. Nor did he overlook the viola, composing Viola Sonata No. 1, Op. 120. Here's a recording of a famous functioning by the Vienna Combo of his Fourth Symphony: Camille Saint-Saëns (1835 – 1921) was a usher and pianist, in addition to composing great works. Unlike Chopin and Liszt, he equanimous plenty of great works for strings that didn't center the piano. Here is his Cello Concerto No. 1 in A Minor, Op. 33, performed by Mstislav Rostropovich. His tone poem, Danse Macabre, is a staple of horror movies. Pyotr Tchaikovsky (1840 – 1893) composed works from a wide scope of way and formats. Light, frothy works, such as Flit of the Flowers from The Nutcracker, make him likely the offset classical composer immature kids hear. At the other finish of the spectrum, his Symphony No. 6 in B Minor (Pathetique) is a profound exploration or the energy of life moving towards decease. Antonin Dvorák (1841 – 1910) is known primarily for his excellence in the Romantic Period genre of nationalist music inspired past local folk music. The Czech composer's Slavonic Dances was inspired by Brahm's Hungarian Dances. He was hired past the National Solarium of Music of America in New York to develop a distinctly American folk-inspired classical audio. The result was the New World Symphony. Yet he was also total of string ensembles, including the occasional sextet. Here is his String Sextet in A Major, Op. 48: Of grade, this choice is here is only a small glimpse into the full scope of music the Romantic Period generated. For a fuller mind of more works by these composers plus those from another 15 amazing Romantic Era composers, check out our Spotify playlist "twenty hours of the Romantic Era'southward." (You read that right – xx hours). On to the list of Romantic Flow composers you need to know:
Source: https://www.connollymusic.com/stringovation/10-romantic-composers-you-need-to-know
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